So these three guys met at New York University in 2016. Fueled by a shared love of films like “Wet Hot American Summer,” “School of Rock” and “Napoleon Dynamite,” as well as chicken tenders in a Brooklyn basement, a three-headed monster baby known as the comedy trio Please Don’t Destroy was born.

Or something like that.

And now the monster baby’s videos have become a regular highlight of “Saturday Night Live.”

It helps that two of the guys — John Higgins, 27, and Martin Herlihy, 25 — have showbiz lineages as the sons of, respectively, Steve Higgins (a writer and producer on “SNL” since 1995) and Tim Herlihy (another “SNL” figure best known as an Adam Sandler collaborator of nearly 30 years). And now it seems the third member, Ben Marshall, 28, is the son of Conan O’Brien — at least, the version of him in the trio’s first feature film, “Please Don’t Destroy: The Treasure of Foggy Mountain,” that’s now streaming on Peacock. In the movie, three 20-something guys, also named John, Martin and Ben, go in search of a treasure on, you guessed it, Foggy Mountain. Which, truthfully, isn’t particularly foggy.

And before you start with the “nepo baby” argument, their short videos, which began as clips posted on TikTok and Twitter often depicting their failures at adulting, have been a big hit since they started appearing on “SNL” in 2021. They have millions and millions of views on YouTube, regularly outdrawing postings of full “Weekend Update” segments. Sure, the one with more than 12 million views happens to have Taylor Swift in it (“Three Sad Virgins”), but others have major viewership — including one called “Self-Defense,” in which the guys attend a class led by a terrifying instructor played by Travis Kelce (pre-”Tayvis”), and one where Bad Bunny reveals his abiding love for Shrek. Even videos that don’t highlight a host have racked up big numbers, by showcasing their signature, bizarrely self-effacing sense of humor. So there.

The trio chatted with the L.A. Times. This conversation has been edited for length and clarity.

Q: How did you three initially bond?

Ben Marshall: I was in an NYU-based sketch group called Hammerkatz with John, and I remember us just really clicking on this one trip to Brown, where we were doing a show. Martin and I started doing stand-up together around the same time. Then eventually the three of us went to this party in Brooklyn and stayed way later than everyone else and ended up sleeping in the basement and eating chicken tenders and cracking up together, super-late at night. We were just like, “Oh, I think that we really like each other. This feels special.”

John Higgins: It was the energy that’s in the movie — that sleepover-boy energy where anything and everything is kind of silly. I remember eating a ton of chicken tenders, though.

Martin Herlihy: I remember I was sleeping on what essentially was the bottom of a couch, if you took the cushions off. And I remember John making fun of that.

(All laughing)

Marshall: I remember that too; we were laughing at how (expletive) Martin’s bed was.

Q: I think “SNL” is best at its weirdest. The weirder stuff looks as if it made the writers laugh — like a lot of your really absurd stuff, such as “Bad Bunny Is Shrek.”

Marshall: There’s so many weird sketches that make the writers laugh that don’t make the audience laugh. So it’s finding that sweet spot, when it really makes the writers’ room laugh, but also makes the studio audience laugh, which is a very rare, but special, thing.

Higgins: I’m glad that you brought up the Bad Bunny one because that is an example to me of, “It’s so weird, but it also doesn’t feel like you don’t get it or you’re outside of it, ever.” He’s so good in it. We didn’t need to do a ton of takes at all. The first and the second take, we were like, “Yeah, that’s pretty perfect.” When he’s rubbing the light fixture being like, “I don’t know ... maybe.”

Q: You’ve completed your first movie. What scene most sticks out to you?

Higgins: This is not a funny scene, but the scene that I watch and just smile is when we’re little kids after the talent show and you see young Ben, John and Martin running through the woods and finding the compass. Just something about that song (“A.M. AM” by Damien Jurado) and the way that those kids look, it makes it feel like that was actually us, even to me. So that part always is like ... I really like that.

Q: OK, time for the lightning round. Who on “SNL” has been most helpful to you? Is there a mentor or sounding board or an inspiration?

Marshall: Our friend Dan Bulla is a writer there who we love. He helped us on the movie, and he wrote some of our videos with us. But there’s so many others that I feel bad even naming one person.

Higgins: Lorne (Michaels)? Yeah, I’m going to go with Lorne.

Herlihy: Also Celeste Yim was the first friend we made there who had worked there longer than us.

Marshall: Also Sarah Sherman. Got to say Sarah.

Q: What host was particularly great to work with? I’ll interject here that Paul Dano’s cameo in “We Got Her a Cat,” emerging from under the sofa, was really funny.

Higgins: Yeah, Paul Dano just showing up really, really is funny. He was so good in it. I mean, I’m going to say it, he’s in the news a lot, but Travis Kelce — super, super awesome.

Marshall: He was awesome.

Higgins: Completely unique performance. So funny. Totally got it. But honestly, every host that we’ve been able to work with — we luckily don’t have any, “Oh, that person was an (expletive)” stories, which is really nice. But I’m going to go with Travis because I don’t really watch football, so he was this big, giant dude who I was kind of intimidated by and then he was sweet as hell and super funny.

Marshall: I would say Paul Rudd and John Mulaney (in “Good Variant”).